My "Work Of Art" Moral

My "Work Of Art" Moral

Today I need you to imagine that you are an artist, you always wanted a chance to display your work and today that chance has arrived.
You enter a building and there are 49 other artists, 50 art boards set up ready for each of you to use.

You are then given instructions on rules and regulations. Each person must fit into one of four groups. The groups must be decided after all 50 people discuss what they normally draw, what their skills are and who they aspire to.

One group of ten is formed. They all like to draw/paint African Art, they like to include village life, animals from African surroundings and symbols.
The second group of ten is formed. They like to draw/paint Oriental Art, they like to include village life, city life and cultural images from all over Asia.
The third group of ten is formed. This group likes to draw/paint Arabic art, they like to include the history of their past as well as including elements of religion.
The forth group is formed. They include yourself and all like to draw/paint European art work, they use the History of Europe, its symbols and mimic its heritage in their designs.

The fifth and final group is made up of 10 people who refuse to choose one of the four other groups, they have a vast mixture of influence and cannot agree on any single one theme.

After all 50 people have painted themselves a work of art the tutor informs the class that they must now connect all the art work from their group into one large picture and frame it. They must decide what goes where in order for the picture to look its best and display what appears to be one single picture rather than a collection of many.

The African Picture sits well, it has Cultural images, vast amounts of wild life and symbols of ancient times in tribal villages of Africa. The tutor comments that the picture looks as if it were all drawn to fit side by side.
The Oriental picture sits well, it has an array of bright colours and warrior fighters blended into a wash of koi and surrounded by swords and dragons. The tutor comments that the picture seems almost whole, there is no sign of division amongst the pictures just a clear and precise image.
The Arab middle eastern design is rich in gold leaf, ancient text on most single pages became like an embedded history throughout the work. Timelines of a history were displayed in near perfect sync. The tutor comments that the task given to them has been reached fully, the work looks as it should. Whole, balanced and well presented. The European Picture was beautiful, the original symbols of Europe were blended in with the ancient myths and legends of the continent. Nature echoed from the artwork and was sketched alongside huge wooden vessels and rows of Armour. The tutor comments on the work. You have truly managed to capture the heritage of a nation.

As the tutor approaches the final piece of art she looks at it and the first thing she notices is the chaos of the layout, it has no order it has no normality, you cannot concentrate on anything because you are drawn in by the sheer size of everything. Its in your face, not in a bold way but in a distorting way. Its ugly.

This is of course just a moral, not a real life event. The moral I hope you will agree however is one worth repeating. I wrote it as a story so people can retell it and remember the moral and detail so that others can learn from it.

The moral is this Multiculturalism is the undecided work of art, with chaos and uncertainty at its core foundations. The other artwork was untouched by this monstrous ideology, it was able to live and breathe its own influence, the result being no perversion of ideals, no conflict of interest, a beautiful untainted work of art. Races are just like this moral, left alone to blossom in their own way at their own pace means each race can be sure not to spoil, or slow down the advancement of another. If left to work on your own art work the end picture will be clear, but in the case of the group who couldn't agree we see disorder and a work of art becomes a visual head ache, something no one wants to look at and no one truly understands.

Lets say for another example that the tutor in this moral is Zionism, and lets just say that rather than picking groups the tutor put the groups together from his own choice, we would instead have an entire failure amongst all the art work in the room. Total chaos with no idea what cultural influence the work was based on. Just a huge mess. All you now have left to consider is if the Tutor is feeling any sense of failure or if the whole idea is to make you think you got your chance to paint the perfect picture only to find out that the tutor has every intention of making you fail from the very start.

Multiculturalism is the real Racism, the destruction of all unique cultures to create one nodding dog slave culture is the ultimate evil. Telling someone they are evil if they oppose race mixing is the ultimate lie. We have every right as the painters of our own future to say that we want the art work of our future to be as bright and proud of the countless art works of our past. We have the right to decide who picks up the paint brush and prints a legacy on our design and that goes for all cultures around the world. We have continents for a reason, we have languages for a reason, we have legacy and history and traditions for a reason and we have the right and a sacred duty to defend that identity.

Remember this story/moral and also always ask yourself is the tutor in this situation the helper or the master of the lie.